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  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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  • Compact Disc (CD) + Digital Album

    Produced by Dickie Ogden and the Set, Chemystry Set's fifth CD, Cobblestone Below My Feet, ferments three years of travel, storytelling, friendships, and recording magic into a rich and highly intoxicating elixir. On their fifth release, the band that has made a name for itself over the last ten years with boundary-defying music and message-driven songs is coming of age in this beautifully dynamic tapestry of tightly-arranged and rockin' compositions. Written during and after their 2003 European tour, Cobblestone Below My Feet is an invitation across language, culture, and consciousness. Like a carriage ride through history, hitting the cobblestone with an amalgam of sounds and an ever-fresh poetic luminescence, this album takes the listener into another time zone, all along establishing connections not only to the present, but the future of humanity. Includes beautiful black and white cobblestone photography by Debra Baida.
    credits
    released November 4, 2006

    Dickie Ogden - Drums
    Joel Oppenheimer - Bass
    Baba Ndjhoni - Mandolin, Vocals
    Patty Hughes - Wurli Piano, Vocals
    Sven Eberlein - Guitars, Vocals

    SPECIAL GUESTS
    Joe Balestreri - Trumpet
    Dan Heffez - Alto Sax
    Nathaniel Hawkes & Baba Ndjhoni - Horn Arrangements

    ©2006 Ogden Park / Tuber Creations

    Includes unlimited streaming of Cobblestone Below My Feet (and other tales of devils and onions) via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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lyrics

Reinheitsgebot

credits

from Cobblestone Below My Feet (and other tales of devils and onions), released November 4, 2006
written by dickie ogden

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Chemystry Set San Francisco, California

Musicianship tight as an atom, music wild and roaming as the imagination of the unknown. It’s like everything and nothing I’ve ever heard, a screaming reminder that rock is rebellion and must be reinvented each time it’s played, or else it’s just pop.

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